HomeMy WebLinkAboutRes 2022-22 RESOLUTION NO. 2022-22
A RESOLUTION OF THE MAYOR AND TOWN COUNCIL OF
FOUNTAIN HILLS, ARIZONA, ADOPTING THE TOWN OF
FOUNTAIN HILLS PUBLIC ART MASTER PLAN REVISIONS
RECITALS:
WHEREAS, the Mayor and Council of the Town of Fountain Hills (the "Town") acknowledge the
important cultural and beautification role of public art within the Town; and
WHEREAS, the Town has taken several steps to manage the promotion and acquisition of public
art within the Town and to create design guidelines establishing minimum standards for public art
in commercial, industrial, and multi-family residential projects; and
WHEREAS, the Town desires to adopt a"Town of Fountain Hills Public Art Master Plan"to provide
a cohesive document regarding public art within the Town.
ENACTMENTS:
NOW THEREFORE BE IT RESOLVED BY THE MAYOR AND TOWN COUNCIL OF
FOUNTAIN HILLS as follows:
SECTION 1. The recitals above are hereby incorporated as if fully set forth herein.
SECTION 2. The Town, through its Mayor and Council, hereby approves the Town of
Fountain Hills Public Art Master Plan Revisions in substantially the form attached hereto as Exhibit
A.
SECTION 3. The Mayor, the Town Manager, the Town Clerk and the Town Attorney are hereby
authorized and directed to cause the execution of the Revisions and to take all steps
necessary to carry out the purpose and intent of this Resolution.
PASSED AND ADOPTED by the Mayor and Council of the Fountain Hills, Maricopa County,
Arizona, this 3rd day of May, 2022.
FOR THE TOWN OF FOUNTAIN HILLS: ATTESTED TO:
Ginny Okkey, Mayor lizabe - A Klein, Town Clerk
REVIEWED BY: APP' a QED AS TO FORM:
ZA4v, .VAAdk,,A
Grady E. Mill 8 7 Manager Aaron LYTA-rnson, To Attorney
EXHIBIT
A TO
RESOLUTION NO. 2022-22
[TOWN OF FOUNTAIN HILLS PUBLIC ART MASTER PLAN REVISIONS 2022]
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TOWN OF FOUNTAIN HILLS PUBLIC ART MASTER PLAN
I. INTRODUCTION&BACKGROUND
History of Public Art
Public art has long played an important role in expressing the identity of a culture. In many
cases, public art is the legacy by which we remember an ancient culture. Public art has been a
part of the American landscape since Colonial times,but it wasn't until the middle of the 20th
century that comprehensive public art programs emerged.
After the establishment of the National Endowment for the Arts in 1965,the field of public art
underwent significant change. As more and more cities adopted"percent for art" ordinances,
public art has evolved from a process that placed large-scale versions of studio sculpture in
unrelated spaces into the broader understanding that art may take various forms, including being
routinely integrated into the surroundings it is placed in, often becoming part of building or
structure itself.
In cities like Seattle,Philadelphia,Los Angeles, Miami, and others, artists working in the public
realm became more involved in the design of public spaces by working closely with architects,
landscape architects,and engineers. The result was the use of art to shape a new public space,
not just to enhance an existing one. In Seattle,Phoenix, and Scottsdale, the art went one step
further; it has become an integral part of civic infrastructure including, bridges, waste treatment
plants, freeways,parks, sports complexes, and other projects.
Funding for contemporary public art has come in large part from three sources: (i)"percent for
art"ordinances, (ii) funding through local, state, and federal grant programs, and(iii) corporate
sponsorships and private donations from individuals and foundations.
History of Art in Fountain Hills
In October 1994,the Town of Fountain Hills(the "Town")and the Fountain Hills Civic
Association(the"Civic Association") commissioned a community cultural assessment,
sponsored by the Arizona Commission on the Arts (the"1994 Cultural Assessment").Nearly 50
citizens participated in either the open forum or in the surveys collected. The community's
strengths and challenges were discussed, and four key issues were identified:
• The need for a cultural center facility with performance, gallery,and meeting
space.
• A need for an arts council to provide leadership for cultural growth.
• A need to involve the arts in community design and planning.
• A need for youth services including after-school and summer programs.
Through the 1994 Cultural Assessment, a clear need for a Public Art Committee was recognized.
The Fountain Hills Arts Council (the"Arts Council")bylaws were formally adopted in March
1995.
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Revised 05.2022
On September 4, 1997, the Town Council adopted Resolution No. 1997-44 designating the Arts
Council, then a committee of the Civic Association, as the official representative of the Town in
all matters dealing with the promotion of public arts within the Town of Fountain Hills. Shortly
thereafter,the Arts Council established the Fountain Hills Public Art Committee (the"PAC")to
administer its public art program. On November 20, 2003,the Town Council adopted Resolution
No. 2003-70 confirming this appointment and adopting an official Master Plan for the
acquisition of public art.
Through various corporate reorganizations,the Arts Council became the Fountain Hills Cultural
Council and thereafter merged with the Civic Association to become the Fountain Hills Cultural
and Civic Association, a 501(c)(3)non-profit corporation("FHCCA"). The PAC continues as a
committee of FHCCA, and since 2000,the PAC has adopted an aggressive policy of public art
acquisition.
On December 7, 2006,the Town Council adopted Ordinance 06-23, creating the Town's
Commercial/Multi-Family Architectural Design Review Guidelines (the "Design Guidelines").
Section 19.05(I) of the Design Guidelines established the minimum standards for including a
public art element in all commercial, industrial and multi-family residential projects (the "Public
Art Requirement")providing for either(i)the installation of exterior public art valued at equal to
or greater than 1%of the cost of building construction and associated site work and signage of a
new or redeveloped commercial, industrial, or large multi-family residential construction project
or(ii)a donation to the Fountain Hills Public Art Fund in an amount equal to or greater than 1%
of the cost of building construction and associated site work and signage. The funds raised
through this process will be referred to hereafter as the"Percent for Public Art"funds.Public Art
Fund Development Guidelines were adopted by the Town Council in January 2007 to set forth
the process for implementing the Public Art Requirement. The Fountain Hills Public Art Fund is
the fund held by the Town for the purchase or installation of public art(the "Fountain Hills
Public Art Fund").
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II. PUBLIC ART PROGRAM GENERAL STANDARDS
Mission: The mission of the Public Art Collection is to promote a rich, diverse and stimulating
cultural environment that enriches the lives of the town's residents and visitors, and further
establishes the town's identity. The Fountain Hills Cultural and Civic Association(FHCCA) is
committed to acquiring works of art for the Art Collection of the highest aesthetic standards
reflective of diverse social, aesthetic, and cultural perspectives. The Town Council intends that all
public art within the corporate limits of the Town shall be selected and approved according to the
Public Art Acquisition process.
This document establishes policies and procedures for the acquisition,placement, care, and
management of works of art for the public art collection of the Town of Fountain Hills,whether
acquired through a Gift or Bequest. It shall be the policy of the PAC to accept unique, one-of-a-
kind works of art with the noted exception of prints, photographs, or a desirable high-quality
limited edition work of art by a renowned artist.
GOALS OF THE COLLECTION:
1. Artwork acquired and maintained within the collection should reflect the highest aesthetic
standards. Objects accepted into the collection must be of known authorship and be
accepted based on their value as works of art.
2. The Town's collection should be diverse in its representation of artists and artistic styles.
3. Artwork acquired and accepted into the collection should be appropriate in scale,media,
and context with its intended location, and be relevant within the cultural, historical,
social/political, and environmental context of the area surrounding the Town of Fountain
Hills.
DEFINITIONS:
Fountain Hills Cultural and Civic Association ("FHCCA"): The FHCCA is the 501(c)(3)
Charitable organization representing the PAC.
Public Art Committee: The Public Art Committee ("PAC") is a member organization of the
Fountain Hills Cultural and Civic Association("FHCCA"). The PAC is made up of members of
the FHCCA, Town staff member(s), and when deemed necessary, arts professionals. The
committee generally meets monthly and is responsible for reviewing potential art donations and
making recommendations to the Town.
Acquisition: The formal process used to accept an artwork into the Civic Art Collection and the
recording of an item as a Collection Object.
Aesthetics: Artistic merit of the work of art, including consideration of its artistic, social, cultural,
and/or historical significance.
Appraisal: A professional,certified evaluation of artwork, i.e. its authenticity,condition,and
provenance,to determine its monetary value.
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Artist: Individual artist or team of individual artists whose body of work and professional activities
demonstrate a serious ongoing commitment to the fine arts,through a record of exhibitions,public
commissions, sale of works, and educational attainment.
Artwork or Work of Art: For the purpose of these guidelines,Artwork, or Work of Art, is
defined as a work in any media that is the result of the unique creative expression of an artist.
Conservation: See"Preservation."For the purposes of this document,the terms"conservation"
and"preservation" are used interchangeably.
Decommission: The formal process of removing acquired objects permanently from the Art
Collection.
Donation: An artwork or a series of artworks gifted to the Town for long-term public display with
the intent to transfer title of ownership to the Town.
Maintenance: Maintenance shall mean a minimally invasive, routine, and regularly scheduled
activity that may involve the removal of superficial dirt or debris build-up on the surface of the
artwork or the cleaning and repair of non-art support material such as a pedestal or plaque. For the
purposes of this document,this definition shall apply generally whenever"maintenance"of
artwork is referenced.
Maintenance Endowment Calculation: A Maintenance Endowment Calculation adequate to
ensure the continued care of gifts of art shall be maintained by the Town of Fountain Hills. An
endowment is required for all outdoor artworks and may be required for indoor artworks in order to
maintain the gift in a condition satisfactory to the donor,the PAC, and the Town. Scale,material,
location,the value of the work, and potential for vandalism will be considered in determining the
maintenance endowment.
Monuments: Structures, sculptures,or other objects erected to commemorate a person or an event.
Percent for Public Art: Developers of any new professional office, lodging projects, retail,
service, commercial,wholesale,transportation, industrial developments,re-developments or
expansion project,s and multi-family projects with five or more dwelling units within the Town of
Fountain Hills are required to provide public artwork.
Plaque: For the purpose of this document"plaque"refers to identification signage affixed on or
near an artwork that identifies the title, artist, media, date, attribution, and other pertinent
information. Organizations strive for uniformity in plaque design and text content.
Preservation: Preservation shall mean the protection of cultural property through activities that
minimize chemical and physical deterioration and damage, and that prevent loss of informational
content. The primary goal of preservation is to prolong the existence of the cultural property, and
should be undertaken or overseen by a professional conservator. For the purposes of this
document,the terms preservation and conservation are used interchangeably, and the definition
above shall apply generally whenever"conservation" or"preservation" is used.
Proposal: The Artist's design proposal for a project that typically includes drawings and/or models
illustrating the project and how it will fit into the site,project description, and budget,typically
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requested from a limited number of finalists as a means of providing the basis for final artist
selection.
Provenance: The history of an artwork and its creation and ownership,which is used to help
establish its authenticity. Documents used for provenance include sales receipts, auction and
exhibition catalogs, gallery labels, letters from the artist, and statements from people who knew the
artist or the circumstances of the creation of the artwork.
Public Art Collection: The Public Art Collection is comprised of artworks that have been acquired
by the PAC on behalf of the Town.
Public Art Fund: The Public Art Fund is made up of the funds set aside by the Town of Fountain
Hills to acquire and maintain the Public Art Collection. This fund is comprised of monies
collected through the Percent for Public Art, donations from private or corporate donors,the
Maintenance Endowment Calculation, and monies gained through grants. The Public Art Fund
amount shall be noted within the annual budget of the Town of Fountain Hills.
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III. PUBLIC ART ACQUISITION PROCESS
Public art is acquired through four primary methods:
1. As the result of a gift or loan whereby the Town becomes a beneficiary
2. As a result of the Percent for Public Art Contribution
3. By the active procurement of a specific work of art or the selection of an artist for a
specific project
4. Temporary or Traveling Art Exhibitions
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IV.ARTWORK DONATION PROCEDURES
When an artwork is offered to the Town for donation, such donations are reviewed by entities that
may include but are not limited to the PAC, FHCCA, and Town staff.No work of art shall be
acquired into the Collection unless such work of art shall first have been submitted to and
approved by the above-mentioned entities. Artwork must meet the Artwork Review Criteria.
Neither the PAC,the FHCCA nor the Town will establish the artwork value,nor furnish
documentation regarding the artwork value to the Donor.
Step 1: The prospective donor submits a completed Artwork Donation Application with required
attachments to the PAC. Developers, required to meet the Percent for Public Art obligation,will
submit an application to the Planning and Zoning Department. The proposal shall include
information about the artist,a written description of the artwork(size,materials, date created,
etc.), a condition report, appraisal, and photograph or drawing of the artwork, and a proposed
site, if any. Artwork to be donated will only be accepted with restrictions in very limited
circumstances. For all artwork located on public property,the Town of Fountain Hills receives
full title to the artwork and has the ability to sell or transfer the title to individuals or entities.
Step 2: The PAC reviews the application and gift documents and decides if the gift meets the Art
Acquisition Criteria. If necessary,the prospective donor may be invited to give a presentation
about the donation to Town staff,the PAC, and others to clarify the artwork's provenance and
appraisal, and the intent of the gift. The PAC may seek the advice of a professional art conservator
or other qualified arts professional to review the proposal and provide recommendations regarding
authenticity and the long-term care of the artwork.
Step 3: The PAC will make the recommendation to accept, accept with modifications or decline the
gift. If the gift is accepted with modifications,the donor has the option to resubmit at a later date.
If the gift is accepted by the PAC, it is then referred to the FHCCA Board and Town Council for
review and acceptance. The donor may again be called upon to discuss the donation with the Town
Council. The PAC may not recommend gifts that require extraordinary maintenance expenses or are
deemed unsafe.
Step 4: Once the artwork donation has been accepted,the Town and the Donor enter into an
agreement regarding the terms of acceptance based upon the requirements of the Art Acquisition
Criteria.
In general, donations shall be accepted without restrictions or conditions. All accepted donations
will be subject to the Town's Art Acquisitions Criteria and Decommissioning Policy. All artworks
acquired by the Town shall be covered under the Town's public art insurance policy for the stated
value.
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V. ART ACQUISITION CRITERIA
Public art is defined as the work of a visual artist located in a publicly accessible space. Public art
includes, but is not limited to,paintings, murals, statues, stained glass, fiber art, relief or other
sculpture, fountains, arches and other structures intended for ornament or commemoration,
carvings, frescoes, mosaics, mobiles,photographs, drawings, collages,prints, landscape art, and
crafts, both decorative and utilitarian. Public art may be temporary or permanent in nature.
Public art projects may also include visual or landscape artists serving on design and development
teams to identify opportunities and approaches for incorporating artwork aesthetic concepts into
Town buildings and visible public improvement projects. Regardless of the method of acquisition,
certain fundamental criteria will be universally applied to any work of art under consideration.
Aesthetics
1. Artistic merit of the work of art, including its artistic, social, and/or historical significance,
as evidenced by the Artwork Donation Application(which includes a written description and
drawings and/or maquette if the artwork is proposed and not fabricated)
2. Professional artist's qualifications,as evidenced by the Artwork Donation Application(which
includes images of past work,resume, references, and published reviews)
3. Compatibility of the work of art within the context of the proposed site
4. Warranty of originality(in the case of a pre-existing artwork; only original works or limited
editions and high aesthetic value shall be considered)
5. Provenance
Site
6. Appropriateness to the proposed site with respect to its immediate and general physical
environment(district, neighborhood)and audience
7. Proposed works of art must be compatible in scale, material, form, and content with their
surroundings. Attention shall be given to the social context of the work and the manner in
which it may interact or contribute to the use of the site.
8. Ecological and/or environmental impact
9. Accessibility to the public, including persons with disabilities
10. Text components (e.g., signage or plaque)
Site Criteria: Prior to selecting a site for artwork,whether purchased or commissioned,the PAC
and Town staff shall take into consideration the following factors:
11. Visibility and prominence of the artwork site
12. Public accessibility of the artwork and ADA Compliance
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13. Public Safety
14. Interior and exterior traffic patterns
15. Relationship of proposed artwork to existing or future architectural features,natural features,
other artworks, and urban design
16. Function of the facility
17. Facility users and surrounding community and interaction of users and community members
with proposed artwork
18. Future development plans for the area
19. Overall program goal or concept
20. Landscape design
21. Relationship of proposed artwork to existing artworks within the site vicinity
22. Environmental impact
23. Social context of artwork(intended use of the work, if any)
24. The PAC and Town of Fountain Hills shall approve the artwork location before acquisition
Installation
25. Site requirements for installation(Electricity, lighting,water, or other requirements)
26. Method of installation
27. Documents: Utility connections, site modifications, structural reinforcements, or other
engineering requirements or site modifications should be described in the gift proposal and
reflected in the construction plans and specifications. The donor/sponsor is responsible for
providing and submitting engineering and architectural plans, as required according to the
Building Code or as requested by the Commission. Such plans must be prepared, signed,
and stamped by the appropriate design professional licensed in the state of Arizona.
28. Storage requirements, if needed
29. Safety standards (Town Risk Management review)
Maintenance
30. Structural integrity(demonstrated through documentation)
31. Review of Fabrication and Installation Method: Works of art that are accepted from
maquettes or drawings will be subject to PAC review throughout fabrication and installation.
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Specific plans for site design, installation, maintenance, and protection will be submitted for
approval. The completed artwork may not deviate in any way from the proposal approved
by the PAC.
32. Durability of materials and method of fabrication
33. Susceptibility of the artwork to accidental damage, theft, and/or vandalism and security needs
34. Ability or capacity to provide necessary routine maintenance
Maintenance Endowment Calculation Contribution
35. All costs associated with fabrication and installation, including site preparation, long-term
preservation, illumination, plaque, and unveiling/dedication event, if any
36. For all works of art located on Town property or donated to the Town, the Donor will
contribute 5% of the total value of the artwork or $5000 (whichever is less) to the Town's
Public Art Fund. Obtaining an appraisal prior to execution of the agreement is the
responsibility of the Donor unless otherwise agreed upon by Town and Donor.
37. Statement of the value of artwork by a certified appraiser for insurance purposes
38. No artwork will be placed or acquired before all financial obligations are met by the Donor
Liability
39. Susceptibility of the artwork both to normal wear and to vandalism
40. Potential risk to the public
41. Public access, in general, as well as compliance with ADA requirements
42. Special insurance requirements (some extremely valuable artworks need additional
insurance)
Timeliness
43. Allowance of sufficient time for the normal review process
44. Timely and appropriate response to the PAC and Town staff requests for additional materials
or information
Memorial Gifts: Memorial gifts will be judged to the following additional criteria:
45. The person so honored shall have been deceased for a minimum of two years. Events shall
have taken place at least two years prior to consideration of a proposed memorial gift.
46. Represents broad community values
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47. The memorial has timeless qualities that will be meaningful to future generations
48. The location under consideration is an appropriate setting for the memorial; in general,there
should be some specific geographic justification for the memorial being located on a
specific site
Acceptable Art: Acceptable forms of art("Acceptable Art") shall include but are not necessarily
limited to, the following:
49. All forms of limited edition or one-of-a-kind original creations of visual art created by an
artist
50. Project features and enhancements which are unique and produced by a professional artist
such as benches and fountains
51. Murals or mosaics covering walls
52. Professional artist sculptures which can be freestanding, wall-supported, or suspended and
made of durable materials suitable to the site and the climate
53. Other suitable artworks as presented in a catalog and previously approved by the PAC
Not Acceptable Art: The following, non-exclusive list describes those items not considered
Acceptable Art:
54. Business logos or art that incorporates a logo for the primary purpose of advertising a
business
55. Directional elements such as supergraphics, signage, or color-coding except where these
elements are integral parts of the original works of art
56. Mass-produced art objects, such as fountains, statuary objects, or playground equipment
57. Decorative ornamental or functional elements created by the project
58. Landscape architecture or gardening except for elements designed by the artist as an integral
part of the work of art
59. Electrical,water, or mechanical service for activation of the works of art
60. Art exhibitions and educational activities
61. Security and publicity concerning works of art
62. Standard landscape or hardscape elements that would normally be associated with the project
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VI.PERCENT FOR PUBLIC ART REQUIREMENT FOR DEVELOPMENT
A. Basic Requirements
1. Developers of any new professional office, lodging projects, retail, service,
commercial, wholesale,transportation, industrial developments, re-developments or expansion
project,s, and multi-family projects with five or more dwelling units within the Town of
Fountain Hills are required to provide public artwork. The Percent for Public Art contribution
shall equal:
• 1%of Total Construction Cost for projects of$1 million or less;
• %% of Total Construction Cost for projects with a value between $1 million and $10
million; or
• Y2% of Total Construction Cost for projects with a Total Construction Cost over $10
million.
As an alternative to providing public art, developers may donate to the Fountain Hills Public Art
Fund in an amount equal to the above calculation. If requested,the PAC and Town staff will
work with the developer to identify an appropriate use of the contribution that will benefit both
the developer and the Town.
2 Developers are not required to make a contribution to the Maintenance
Endowment Calculation for any artwork located on private property. If the artwork is to be
located on public property, the Maintenance Endowment Calculation will apply.
3. The public art requirement must be met prior to the issuance of a Certificate of
Occupancy. Applicants choosing to purchase a piece of art are required to choose from the
approved sculptures provided by the public art committee or work under the guidance of the
public art committee for an artist selection.
4. Artwork selected by the developer to go on-site must be integrated with the
project,be located on an exterior of the structure or the building site, be visible to the public at
all times,and be accessible for at least 40 hours per week. The location of artwork should be in
an outdoor location to allow unrestricted visibility by the public 24 hours per day.
5. A plaque will be placed that will identify the art and the artist.
B. Total Construction Cost Calculation
Total Construction Cost,as used in the Calculation for Percent for Public Art, includes hard costs
of construction, site work, and signage costs.
C. Eligible Costs for Calculating the Contribution
The following costs may be included in the calculation of the developer's required art
investment.
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1. Professional artist's budget, including artist fees, materials, assistants' labor costs,
insurance,permits,taxes,business, legal expenses, and operating costs.
2 Fabrication and installation of the artwork, including base and/or foundation if necessary.
3. Site preparation for artwork.
4. Structures enabling the artist to display the artwork.
5. Documentation of the artwork.
6. Acknowledgment plaque identifying the artist, artwork, and development,per
Town format.
D. Responsibility After Installation
1. Art located on the developer's property will remain the developer's property, subject to a
covenant on the part of the developer that the piece will remain in public view. It will be
the developer's and subsequent property owner's responsibility to insure and maintain the
piece of art. The insured value must equal the appraised value. The developer will be
cognizant of the federal Visual Artists Rights Act, which prevents the distortion or
modification of artwork without the artist's permission.
2 If any changes are considered by the property owner for the previously approved artwork
located on-site, an application for consideration of change must be submitted to the PAC.
All submitted changes are subject to full review by the PAC and Town Council.
3. Art located on Town-owned property shall become the property of the Town. The artwork
location will be reviewed by the Town's Facilities Division and other staff to ensure
compliance with the Americans with Disabilities Act (ADA), and to minimize conflicts
with public utilities in the Town's rights-of-way. The Town will insure and maintain all
pieces on Town-owned property.
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VII. ACQUIRING ART THROUGH ARTISTS SELECTION OR PURCHASE
The PAC will identify potential art projects or art purchase opportunities.Any recommendation to
the PAC regarding the acquisition of a piece of art shall identify the potential source of funds for
such acquisition. Such sources of funds may include the funds deposited in the Fountain Hills
Public Art Fund.
1. The PAC will decide which projects or purchases will be recommended to the Town
Council as required in the Artwork Donation Process. The Town Council will have the
final decision,acting in its sole discretion,to determine(i)which projects or purchases will
be undertaken and (ii) if the recommendation includes the use of funds from the Fountain
Hills Public Art Fund, whether the use of such funds is appropriate.
2. If the Town Council approves moving forward with a project or purchase, the PAC will
assume the role of an independent selection panel. The PAC will choose the most
appropriate method for a given project or purchase from among the following options:
a. Open Competition. This method offers opportunities that any professional artist is
eligible to enter. A Project Profile, an announcement with information about the
project, will be circulated, requesting artist proposals for review by the selection
panel.
b. Invitational or Limited Competition. This two-staged competition calls for artists to
submit qualifications (documentation of past work) for the selection panel's
consideration, instead of a proposal. The panel selects three to five artists to visit the
site and develop detailed proposals or to participate in an interview process. The
artists may be paid for their proposals and site visits based on a percentage of the
project budget. The panel then reconvenes to select an artist and/or proposal.
c. Direct Selection and Nominations. In this method,the panel selects one artist based
on documentation of past work. The pool of work reviewed can be solicited
through a call-to-artist or by using an existing artist slide bank. The artist is selected
by the PAC and a recommendation is presented to the FHCCA and Town Council
for approval. PAC will then negotiate a contract for the development of a proposal.
d. Direct Purchase. A method that results in the purchase of already completed
artworks, based upon the PAC's recommendations.
3. Upon Town Council approval of any public art project or purchase, the PAC will contact
the selected artist or artist's agent. The PAC will prepare an invoice or contract between
the FHCCA and the artist covering the entire scope of work to be performed and specifying
all fees to be paid, including, those for any travel expenses, shipping, and/or installation
charges. If the Fountain Hills Public Art Fund is to be used for all or a portion of the
acquisition cost, the aforementioned invoice or contract shall be entered into between the
Town and the artist, and the Town Attorney shall prepare the invoice or contract with input
from the PAC as to the appropriate scope of work to be performed, fees to be paid, travel
expenses to be reimbursed and shipping and/or installation charges to be paid. If both the
Fountain Hills Public Art Fund and FHCCA funds are to be used for acquisition and/or
installation,the FHCCA shall contribute its portion to the Town prior to the date the Town
is required to pay the final invoice.
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4. Working in cooperation with appropriate Town staff and/or commissions, the PAC will
assume responsibility for project management: overseeing the purchase, shipment, and
installation of selected artwork, or the design, fabrication, and installation of a
commissioned project.
5. According to the payment schedule stipulated in the contract, the PAC will be responsible
for paying all project fees in a timely fashion, except for those installation fees agreed to be
covered by the Town through a separate agreement.
6. Upon completion of the purchase or project,the PAC will arrange a public dedication and
formal transfer of ownership to the Town.
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VIII. TEMPORARY OR TRAVELING EXHIBITIONS
From time to time,the PAC may make arrangements for temporary works of art to be displayed in
select locations. These Temporary or Travelling Exhibitions may be installed to celebrate a current
cultural, social, or civic event, or may represent art that is available on a temporary basis that can
bring a new,thoughtful perspective to the Fountain Hills Public Art Collection.
Considerations for selection of a Temporary or Travelling Exhibition might include:
1. Costs: Costs associated with these Temporary Exhibits may be either borne by private
donors or the Public Art Fund. In the event there might be costs to be borne by the Town
of Fountain Hills from the Public Art Fund, the PAC shall make a request for funds in
advance of any commitments to display the work. These costs might include but may not
be limited to honorariums paid to artists, installation costs, maintenance, lighting, plaque
costs, or insurance costs.
2. Selection: The Selection Criteria shall be similar to those outlined in Article VII Acquiring
Art Through Artists Selection or Purchase.
3. Additional Criteria in a Call to Artists for the purpose of the temporary status might include:
a. Length of time to be displayed.
b. Whether or not the artwork may be sold during the exhibition or as a function of the
exhibition. In such an event, the work will be required to remain on-site during the
full length of the exhibition.
c. Manner in which the artist may advertise or promote themselves or the work.
d. Requirement for insurance to be carried by the artist.
e. Requirement of the Artist to be present for installation, de-installation, and
Dedication of the Exhibition.
f. An appropriate disclaimer created by legal counsel of the Town of Fountain Hills
pertaining to the Artists release of liability for damage or destruction while on
display.
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IX.GIFT AND SALE OF ARTWORKS
The Gift and Sale of Art Program are established to allow the public to donate works of art to the
Town of Fountain Hills that may or will be sold for the benefit of the Public Art Fund. When the
PAC determines that it would be advantageous to the Town, a gifted work of art may be acquired
and sold.
1. Sale at Public Auction: A work of art under the jurisdiction of the Town may be sold at
public auction to the highest and best bidder and the PAC may contract with a licensed
auctioneer for the purpose of conducting the sale or sales. The contract shall specify the
compensation to be paid for the auctioneer's services and set forth the terms and conditions
under which the sale or sales are to be conducted. Each such contract shall be approved by
the Purchaser.
2. Private Sale: If the work is offered at public auction and no bids are received, or if the bids
are rejected,the PAC may determine that the work may be sold on terms more advantageous
to the Town.
3. Proceeds from Sale of Artwork: All proceeds from any sale or auction, shall be credited to
the Public Art Fund, and the monies contributed to the fund from the sale of a work of art
under the jurisdiction of the Town shall be expended exclusively for the purpose of acquiring
or maintaining works of art in the Collection.
4. Objects may not be given or sold privately to Town employees, officers, members of the
Commission, or their representatives or family.
Other Considerations: If for any reason,the Town of Fountain Hills finds it necessary to pursue
plans that would modify, remove, destroy or in any way alter an artwork, and the PAC approves
such action,then the PAC shall make a reasonable effort to notify the artist by registered mail of
the Town's intent and outline possible options,which include, but are not limited to the following:
1. Transfer of Title to the Artist: The artist will be given the first option of having the title to the
artwork transferred to him/her. If the artist elects to pursue title transfer,he/she is responsible
for the object's removal and all associated costs.
2. Disclaim Authorship: In the case where the Town contemplates action which would
compromise the integrity of the artwork, the artist shall be given the opportunity to disclaim
authorship and request that his/her name not be used in connection with the given work.
Alteration,Modification,or Destruction: If alteration, modification,or destruction of an artwork
protected under the Visual Artists Rights Act of 1990 is contemplated,the PAC must secure a
written waiver of the artist's rights under this section. In the case of an emergency removal that
may result in the destruction or irreparable damage,the Town will act in accordance with the
advice of the Town Attorney.
Relocation of Public Display: If the Town decides that an artwork must be removed from its
original site, and if its condition is such that it could be re-installed,the PAC and Town will
attempt to identify another appropriate site. If the artwork was designed for a specific site,the PAC
and Town will attempt to relocate the work to a new site consistent with the artist's intention. If
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possible,the artist's assistance will be requested to help make this determination.
The Town and PAC reserve the right to relocate or remove any artwork at any time. The final
decision regarding the placement of artwork will rest with the Town and PAC.
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X. DECOMMISSIONING POLICY
Conditions: A work of art may be considered for removal from public display and/or
decommissioning if one or more of the following conditions apply:
1. The work does not fit within the PAC mission, goals, or guidelines for the Art Collection.
2. The work presents a threat to public safety.
3. Condition or security of the work cannot be guaranteed, or the Town cannot properly care
for or store the work.
4. The work requires excessive or unreasonable maintenance or has faults in design or
workmanship.
5. The condition of the work requires restoration in gross excess of its aesthetic value or is in
such a deteriorated state that restoration would prove either unfeasible, impractical, or
misleading.
6. No suitable site for the work is available, or significant changes in the use or character of
design of the site affect the integrity of the work.
7. The work is fraudulent or not authentic.
8. The work is rarely or never displayed.
9. Significant adverse public reaction over an extended period of time (5 years or more).
10. The work is judged to have little or no aesthetic and/or historical or cultural value.
11. The work is duplicative in a large holding of work of that type or of that artist.
Process: The following process shall be followed for works being considered for
decommissioning:
Absence of Restrictions: Before disposing of any objects from the collections,reasonable efforts
shall be made to ascertain that the PAC and the Town are legally free to do so. Where restrictions
are found to apply,the PAC shall comply with the following:
Mandatory restrictions shall be observed unless a deviation from their terms is authorized by a
court of competent jurisdiction.
Objects to which restrictions apply should not be disposed of until reasonable efforts are made to
comply with the restrictive conditions. If practical and reasonable to do so, considering the value of
the objects in question,the PAC should notify the donor if it intends to dispose of such objects
within ten years of receiving the gift. If there is any question as to the intent or force of restrictions,
the PAC shall,through Town staff, seek the advice of the Town Attorney.
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Independent Appraisal or other documentation of the value of the artwork: Prior to
disposition of any object having a value of$10,000 or more, PAC and/or Town staff should obtain
an independent professional appraisal or an estimate of the value of the work based on recent
documentationofgallery
alle and auction sales.
Related Professional Opinions: In cases where decommissioning or removal is recommended
due to deterioration, a threat to public safety, ongoing controversy, or lack of artistic quality, it is
recommended that the PAC seek the opinions of independent professionals qualified to comment
on the concern prompting review(conservators, engineers, architects, critics, safety experts, etc.).
PAC Hearing and Resolution: The recommendation to decommission a work of art will be
considered at a regular or special meeting of the PAC. The Town must approve by Resolution the
PAC's recommendation that a work of art under its jurisdiction should be decommissioned through
sale or exchange.
Provisions for Emergency Removal: In the event that the structural integrity or condition of the
artwork is such that, in the opinion of the PAC or Town staff, the artwork presents an imminent
threat to public safety,the Town may authorize its immediate removal,without the artist's consent,
by declaring a State of Emergency, and have the work placed in temporary storage. The artist and
the PAC must be notified of this action within 30 days. The PAC will then consider options for
disposition: repair,reinstallation,maintenance provisions,or decommissioning. In the event that
the artwork cannot be removed without being altered, modified, or destroyed, and if the Artist's
Agreement with the Town has not waived his/her rights under the 1990 Visual Artists' Protection
Act,the Town must attempt to gain such written permission before proceeding. In the event that
this cannot be accomplished before action is required to protect public health and safety,the Town
shall proceed according to the advice of the Town Attorney.
Adequate Records: An adequate record of the conditions and circumstances under which objects
are decommissioned and disposed of should be made and retained as part of the Collections
Management records.
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ARTWORK DONATION APPLICATION
Use this form to submit proposals for permanent artwork donations or short-term or long-term
loans. Thank you for your interest in donating artwork to the Town of Fountain Hills, Arizona.
Please direct any questions, and complete and submit this application to:
Name:
Address: Phone:
Email Address:
Please attach additional sheets. The Town reserves the right to request additional information
in order to process a donation proposal.
DONOR
Name(s)
Organization (if applicable):
(Please check one: Individual(s) Corporation Not-for-Profit Other(specify:
Address
City State Zip Code Country
Phone Fax Email
(Please check one):
Donation of artwork to be commissioned under the guidance of the Public Art Committee
Donation of existing artwork as approved by the Public Art Committee
Donation for Development Percent for Public Art (Please go to Percent for Development Option)
Conflict of Interest: Disclose whether the donor has any active contracts with the Town or is involved
in any stage of negotiations for a Town contract.
ARTIST
Name Alias (If applicable)
Nationality Birth Date Death Date (If applicable)
Address
City State Zip Code Country
Phone Fax Email
Website
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Artist Representation/Gallery Name(If applicable)
Artist Representation/Gallery Address
City State Zip Code 1 Country
Phone Fax I Email
Website
For donations of commissioned artwork, please explain the method used in the selection of the artist.
ARTWORK
Title
Artwork type(e.g.,painting,print,drawing,sculpture) Medium: include all materials
Description of Artwork
Creation Date Dimensions and Weight
Anticipated Life Expectancy of the Artwork
Finishes are applied to the surface
Construction technique(s)
If this artwork is part of a series or group, what is the total number in the series or group?
If this artwork is part of an edition, what is the edition number of this piece, and the total edition size?
Describe the frame, if any. Describe the base or pedestal, if any.
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Describe any accompanying accessories
Current location of the artwork
The proposed site for placement (if applicable)
For memorials, describe the person or event to be commemorated, and explain why this person or
event deserves special recognition.
ARTWORK HISTORY
Provenance/Past Owners: List all past owners and periods of ownership for each. A separate page
can be submitted.
Exhibition History: List the exhibition history including exhibition titles, venues, and dates for each.
Publications and References: List all publications about and references to the artwork.
COPYRIGHT OWNERSHIP
Name of the current copyright owner Title
Address
City State Zip Code Country
Phone Fax Email
If the donor is the current copyright owner, does the donor intend to transfer the copyright to the
Town of Fountain Hills should the donation be accepted by the Town?
ARTWORK VALUATION (per appraisal)
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Fair Market Value$
How was this fair market value determined and by whom?
CONDITION
Describe the current condition of the artwork noting any existing breaks, tears, scratches, abrasions,
paint losses, or other insecurities or defects in the artwork.
If the artwork has been conserved, describe the conservation treatment and name of a conservator.
Provide recommendations for routine maintenance of artwork. Indicate whether these recommendations
were provided by a conservator.
(Optional) Provide recommendations for security, installation, transportation, and/or
storage.
For donations of commissioned artwork, please outline the installation plan.
OTHER REQUIRED MATERIALS
Please submit the following materials along with this completed form.
p Artist's résumé and bio
p Digital, color images of past artwork by artist
p For commissioned artwork, color renderings or maquettes of proposed artwork
p Maps or images of the proposed site for artwork
p Itemized list of any costs to be borne by the Town for transportation, installation, exhibition,
p The operation, maintenance, conservation, and/or security
For commissioned artwork, an itemized budget for design, fabrication, and installation
For commissioned artwork, a timeline for design, fabrication, and installation
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Exhibition catalogs, publications, and/or references, if available
❑ Formal, written appraisal for any artwork with a fair market value of$10,000 or more
p Condition report, if available
❑ Conservator's report, if applicable
Proof of authenticity, if available
p Any other information relevant to the artwork
DEVELOPMENT PERCENT FOR PUBLIC ART
Development
Description
Total Project Cost as Determined by Town Staff—Cost per square foot shall be taken from the most recent
publication of the International Conference of Building Officials. The derivation of the estimate and the date of
the ICBO publication shall be noted on the submittal.
Total Calculated Percent Requirement as Determined by Town Staff
1% of Total Project Cost for projects of$1 million or less;
%% of Total Project Cost for projects with a value between $1 million and $10 million; or
'/z% of Total Project Cost for projects with a Total Construction Cost over$10 million.
(Please check one):
The developer chooses to make a donation to Public Art Fund
Amount Received $ Payment Type
The developer chooses to meet the percent requirement with on-site art installation (please fill out
the Artwork Donation Application and reference the Town of Fountain Hills Public Art Master
Plan.)
The developer chooses to donate an artwork to the Town of Fountain Hills (please fill out the Artwork
Donation Application and reference the Town of Fountain Hills Public Art Master Plan.)
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DONOR'S AUTHORIZATION TO INITIATE A DONATION REVIEW
Authorized signature Title
Print name Date
STAFF ONLY
Received by Date
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